Fran Silvestre, a Spanish architect, takes us on a tour of his workplace and explains that the significance of a space resides in the differences that exist between it and other spaces. Perhaps this is the reason why his design is always distinguished by the ultra-aesthetic and minimalist color white. Strong lines in pure white break through the breathtaking scenery of Valencia, reminding one of a sculpture that is on exhibit when one stands outside the studio of Fran Silvestre Architects. The artist Constantin Brancusi, who was of Romanian and French descent, once observed, “Architecture is inhabited sculpture.” The office of the Spanish architect Fran Silvestre, which was responsible for designing the study and studio of the artist Andreu Alfaro, is currently the location of his architectural business. Despite the fact that this may seem to be hard to understand, once the actual space is viewed, all of the difficulties simply disappear. It is the white simplicity that is characteristic of Fran Silvestre that steals the spotlight and totally stuns! As is the case with the majority of Fran’s projects, his office, too, takes in and distills the countless problems of program, site and context, structure, construction technologies, and other issues, incorporating them into the game space and form that could be understood as the true subject of contemporary architecture. Therefore, qualities that may seem to be abstract are, in fact, significant indicators of different cultural and contextual ways of thinking. The actual project itself is the most important aspect of the project! A one-of-a-kind design language is produced as a result of the fact that every space is created in a distinctive manner according to the function or purpose it serves. In order to keep the list of materials and colors to a minimum, the majority of the flooring and plaster coating are made of ceramic, and the white monotones are only broken up by grays in some finishes. Especially for the facade, which is composed of large-format precast concrete panels, the restricted palette has made it possible to construct the building in a shorter amount of time and with less effort. A strong connection to the arts is the driving force behind the whole architectural activity that is carried out in this region. The shapes are clearly defined; all of the axes lead to solutions to more general problems and provide an atmosphere for day-to-day existence that would take one out of the usual. • What makes you unique in the marketplace? The focus of the projects is derived from a dual commitment: the will to provide a technical response to a particular context, as well as the desire to seek beauty through the built work, with the goal of achieving the satisfaction of all those who actively participate in the development of the project. Particularly with regard to users, but also with regard to builders, designers, and partners. • Do you have a design philosophy that has a direct impact on you or inspires you? We are interested in continuity with the environment, which we are obligated to protect, but we also want to understand it from a spatial and temporal perspective. We place a high value on architecture that is able to endure the passage of time without becoming outdated. • Which of the following is the one thing that you have done for yourself that you would never do for a customer? When working with a customer, it is important to avoid situations in which we have to give up items that bring us joy in the project. • Is there a significant design lesson that you still adhere to? Pay attention to the economy, and avoid wasting any resources. • Is there a message that you would want to provide to your customer via the use of your own space? Enhancing people’s life via innovation, the introduction of new materials, and the development of new technologies. Additionally, the cleansing of the area, which involves removing or concealing anything that is not required in the area. Examine the pictures that may be seen on indiaartndesign.com.
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