THIS IS THE GIRLS OF AVIGNON.

In 1907, the film The Girls of Avignon was produced, and it is often regarded as the first work to exhibit cubist tendencies. In the present day, it is kept safe in the Museum of Modern Art in New York. The artists of the past had a tendency to see objects or people from a certain position, and their paintings were often stereotypical. Cubism was a new method of showing objects, seeing them from a variety of angles, and representing a number of sides since it was difficult to perceive them in a manner that was parallel or overlapped simultaneously. A blue backdrop was used in the painting “The Girls of Avignon,” which included the hues of five naked women. However, the backdrop was similarly segmented in an arbitrary manner, and there was no sense of distance included. The representation of the character was made out of geometric figures. The painting “The Girls of Avignon” was completed by Picasso in 1907, and it was exactly as many had anticipated that he would use the “blue era” and the “pink period” as a starting point and then proceed to explore new territory. Since this was a cubist work that entirely broke with prior creative practices, it was inevitable that it would be subjected to a variety of societal criticism and mockery throughout its existence. These pictures, in a nutshell, made me feel like I was about to throw up. When the poet made the connection between these pictures and Avignon, the crowd seemed to be offended, and they reprimanded Picasso for being rude. At the same time, it was difficult to conceive of the fact that this picture was responsible for the French cubist paintings undergoing remarkable growth in the decades that followed and even spreading to other regions. A chord had been touched not only by the art, but also by the dance, stage design, pieces of literature, and musical compositions. A new scenario of French cubism was formed by the Girls of Avignon, and Picasso and Black became powerful figures at the school as a result of their work.