COORDINATION OF COLORS IN OIL PAINTING

When it comes to the selling of plastic arts, the degree to which the colors coordinate has a significant impact on the creative appeal and value of the works. In spite of the fact that the pattern, the sense of space, and the fine effect are more essential in the field of plastic arts, the absence of the coordinate color often results in works that are meaningless. In addition to this, it has the effect of killing the entire thing. One word describes the situation perfectly: the proper saddle must be placed on the right horse. Color is comparable to a saddle; if you are not able to find a suitable saddle, it may seem as if you are not riding the correct horse. It is recommended that we attend to the auction of original paintings in order to have a deeper understanding of the works. Additionally, while reading, the light should be arranged in a manner that is comparable to the locations of the works that the artist had completed at the time. Without a doubt, the vast majority of individuals do not suffer from this sort of disease. For the purpose of making up for the regret, they can only rely on their imagination. When I am looking at the paintings in the exhibition hall or on the painting book, I often think about the questions that have been presented above. In addition to this, I consider the ways in which artists make use of color to convey their feelings, contents, and exquisite effects. Up until very recently, the art movements such as fauvism, cubism, pop art, Dadaism, surrealism, and post-modernism were progressively developing into artistic movements. There is a further expansion of the area and breadth of use for color, which demonstrates the affluent appearance of a hundred flowers in bloom, birds competing, and so on. However, there are still a great deal of issues that have not been handled. For instance, how the use of color in the area of design may be organized in a more scientific manner. In what ways might the color, the shape, and the content be assembled in a more harmonious manner? What method should we use in order to provide the artists with the opportunity to see the cubist art lassic works that were destroyed by various methods?