ART, ARCHITECTURE, DOMESTICITY!

Ar. Three installations that combine art, architecture, and domesticity are realized by Jean Verville in the work titled “IN 1 2 3.” These works are personal portraits that show worlds inside themselves. The decompartmentalization of creative fields that is now taking place has resulted in the formation of contemporary proposals. This hybridization is demonstrated by architect Jean Verville through architectural interventions that transform the user’s experience into a spatial and pictorial experimentation. In these interventions, sensory perception is asked to transcend the physical limits of space in order to favor the illusory abstraction of dimensional form and produce architecture that appears to be free from its function and materiality. These personal photographs not only illustrate the residents’ significant partnerships with the architect, but they also translate the characteristics of the people who live in the building. Jean incorporates fascinating photographic suggestions into his installations. These proposals present a new way of appreciating building by including an allegorical figure into the composition of the shot. An examination of installation 3 is carried out by IAnD… The work manages to maintain its characteristic of a supposed simplicity while also juggling excesses and exuberance simultaneously. The proposition asks for the development of systems of space perception that are capable of disrupting the typical patterns of domesticity. For the purpose of satisfying day-to-day necessities and removing them from time to time in order to create a working environment that enhances the maestro’s ability to concentrate, the bare space deftly hides functions in a series of sculptural volumes. The gray tones of the raw materials come together to form a volumetric entity that is pierced by an enormous golden structure that is used to accomplish the elimination of the hierarchy of spaces. This golden ribbon, which contains household operations as storage units, divides up space into a single operation that is very efficient. It offers visuals that are growing towards abstraction. The area is imbued with a mysterious air that adds to its theatricality, and this is accomplished by the dispersion of a light that is both encompassing and felted. A mineral character is created as a result of the rich contrast between the concrete, the lavish golden brass, and the pristine brightness of the white stones. This mineral character fosters a sensation of luxury, which is further emphasized by the presence of a triumphal piano. Experiencing feelings that distort the spatial sense in order to expose a sculptural concept of an extreme sophistication is what happens as one wanders through this environment that is both clean and refined, providing an unexpected expression at the same time. Ar. Jean Verville, who has received praise on a global scale, displays a varied output that includes architectural installations, scenographic works, and installation art. The architect is interested in the ways in which the relationship between the arts and architecture might be hybridized, as well as the influence that this hybridization can have on the process of architectural production. A total of wood, brass, concrete, quartz, marble, and mirror are used in the project, which spans an area of 160 square meters. Included in the group of collaborators are Stéphane Gimbert and Francois Bodlet. For a visual representation of this house, see the website indiaartndesign.com. Articles that are related to this topic include installations and public art, kitchen and bathroom design, residential interior design, and residential architecture. This article should be sent to a friend! Subscribe to have articles like as this one sent directly to your inbox! Get a free subscription right now!